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In Inanna's Descent to the Underworld, unlike any other deity, Inanna is able to descend into the netherworld and return to the heavens.The planet Venus appears to make a similar descent, setting in the West and then rising again in the East.

When he refuses, she unleashes the Bull of Heaven, resulting in the death of Enkidu and Gilgamesh's subsequent grapple with his mortality.

Inanna-Ishtar's most famous myth is the story of her descent into and return from Kur, the ancient Sumerian underworld, a myth in which she attempts to conquer the domain of her older sister Ereshkigal, the queen of the Underworld, but is instead deemed guilty of hubris by the seven judges of the Underworld and struck dead.

It is her game to speed conflict and battle, untiring, strapping on her sandals." but in the later myth of The Return of Dumuzid Inanna paradoxically mourns over Dumuzid's death and ultimately decrees that he will be allowed to return to Heaven to be with her for one half of the year. Inanna moves the tree to her garden in Uruk with the intention to carve it into a throne once it is fully grown.

The tree grows and matures, but the serpent "who knows no charm," the Anzû-bird, and Lilitu, the Sumerian forerunner to the Biblical Lilith, all take up residence within the tree, causing Inanna to cry with sorrow.

She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star.

Her husband was the god Dumuzid the Shepherd (later called Tammuz) and her sukkal, or personal attendant, was the goddess Ninshubur (who later became the male deity Papsukkal).On boundary stones and cylinder seals, the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of Sin (Sumerian Nanna) and the rayed solar disk, which was a symbol of Shamash (Sumerian Utu).a chlorite bowl from the temple of Inanna at Nippur depicts a large feline battling a giant snake and a cuneiform inscription on the bowl reads "Inanna and the Serpent," indicating that the cat is supposed to represent the goddess.Samuel Noah Kramer compares the myth to the Biblical story of Cain and Abel because both myths center around a farmer and a shepherd competing for divine favor and, in both stories, the deity in question ultimately chooses the shepherd.These aspects were very diverse and the mes listed in the poem include abstract concepts such as Truth, Victory, and Counsel, technologies such as writing and weaving, and also social constructs such as law, priestly offices, kingship, and prostitution.According to the early scholar Samuel Noah Kramer, towards the end of the third millennium BC, kings of Uruk may have established their legitimacy by taking on the role of the shepherd Dumuzid, Inanna's consort.

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